project bibliography, 8 August 2007

Please note, for details of citations made on the Collaboratory, please go to References.


Acconci, V. (1979) ‘Steps Into Performance (and Out)’ in A. A. Bronson & P. Gale (eds) Performance by Artists, Toronto: Art Metropole, 27-40.

Acconci, V. (1984) 'Television, Furniture & Sculpture: The Room with The American View' in G. Moure (ed.) Vito Acconci: Writings, Works, Projects, Barcelona: Ediciones Póligrafa, 371-7.

Acconci, V. (1989) ‘Performance After the Fact,’ in G. Moure (ed.) Vito Acconci: Writings, Works, Projects, Barcelona: Ediciones Póligrafa, 353-7.

Acconci, V. (2001 (1980)) ‘Notes on work 1970-71’ in G. Moure (ed.) Vito Acconci: Writings, Works, Projects, Barcelona: Ediciones Póligrafa, 361-3.

Adams, M. (2005) ‘Highlight: Day of the Figurines,’ IPerG Newsletter, August. http://www.pervasive-gaming.org/index_swf.html. (accessed 15 June 2006).

Adams, M. and Giannachi, G. (2005) 'Interview with Matt Adams,' London: 11 April, author's private archive.

Alloway, L. (1981) 'Sites/Non-Sites' in Robert Hobbs (ed.) Robert Smithson: Sculpture, London: Cornell University Press, 41-46.

Anon (1994) ‘Art and Technology,’ Art & Design 34: 33-87.

Ardenne, P. (2005) 'Incommunicating Bodies' in T. Oursler and C. Van Assche (eds) Tony Oursler, Paris: Editions Flammarion, 41-6.

Augé, M. (1995) Non-Places: Introduction to an Anthropology of Supermodernity, London: Verso.

Auslander, P. (1992) Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance, Ann Arbor: University of Michigan Press.

Auslander, P. (1995) 'Just Be Yourself: Logocentrism and Difference in Person Theory' in P.B. Zarrilli (ed.) Acting (Re)considered: a theoretical and practical guide, London : Routledge, 59-68.

Auslander, P. (1999) Liveness: Performance in a Mediatized Culture, London & New York: Routledge.



Barba, E. (1972) 'Words or Presence,' The Drama Review 16: 1, 47-54.

Barthes, R. (2000) Camera Lucida, trans. R. Howard, London: Vintage.

Bear, L. (1982) ‘Interview with Vito Acconci’ in E. H. Johnson (ed.) American Artists on Art, London: Harper and Row, 232-5.

Bekavic, L. (2006) ‘Index and the Body of Philosophy: On Derrida’s "Performances Without Presence",’ Performance Research 11:2, 4-11.

Benford, S. (2005) ‘Pushing the Boundaries of Interaction in Public,’ Interactions 12:4, 57-8.

Benford, S., Crabtree, A., Reeves, S., Flintham, M., Drozd, A., Sheridan, J., Dix, A. (2005) ‘Future Location-Based Experiences,’ JISC report. Available online. http://www.jisc.ac.uk/uploaded_documents/jisctsw_05_01.pdf (accessed 25 June 2006).

Benford, S., Crabtree, A., Reeves, S., Flintham, M., Drozd, A., Sheridan, J., Dix, A. (2006) ‘The Frame of the Game: Blurring the Boundary Between Fiction and Reality in Mobile Experiences’ in Proceedings of the 2006 ACM CHI Conference on Human Factors in Computing Systems, ACM Press: Québec, 427-439.

Benford, S. (ed.) (2006) WP12: City as Theatre Deliverable D12.4 Evaluation of the first City as Theatre Public Performance. Contributors: M. Capra, S. Benford, M. Flintham, A. Drozd, A. Crabtree, M. Räsänen, e. Tally, N. Tandavanitj, M. Adams, J. Row Farr, L. Operman, E. Kanjo, J Fischer. Version 2 Release date: 10 February 2005. Available online. http://www.pervasive-gaming.org/index_swf.html (accessed 17 June 2006)

Benford, S., Capra, M. (eds) (2005) WP5: Design and Evaluation Deliverable D5.2: Design and Evaluation Literature Review. Contributors: S. Benford, M. Capra, M. Flintham, A. Crabtree, A. Drozd, L. Oppermann, U. Pankoke-Babatz, S. Björk, A. Wairn, L. Ermi, A. Jäppinen, M. Montola. Version 1, 13 April 2006. Available online. http://www.pervasive-gaming.org/index_swf.html (accessed 17 June 2006)

Benjamin, W. (1992) 'The work of Art in the Age of Mechanical Reproduction' in Illuminations, trans. by H. Zohn, London: Fontana Press, 211-44.

Berleant, B. ( 1973) 'The Verbal Presence: An Aesthetics of Literary Performance,' The Journal of Aesthetics and Art Criticism 31:3, 339-346.

Biocca, F. (1997) ‘The Cyborg's Dilemma: Progressive Embodiment in Virtual Environments,’ Journal of Computer-Mediated Communication 3:2. Online journal. http://jcmc.indiana.edu/vol3/issue2/biocca2.html.

Biocca, F. (2001) ‘Inserting the Presence of Mind into a Philosophy of Presence: A Response to Sheridan and Mantovani and Riva,’ Presence: Teleoperators and Virtual Environments, 10:5, 546-556.

Biocca, F. Chad, F., Burgoon, K. J. (2003) ‘Toward a More Robust Theory and Measure of Social Presence: Review and Suggested Criteria,’ Presence: Teleoperators and Virtual Environments 12:5, 456-480.

Biocca, F. Jin, K., Choi, Y. (2001) ‘Visual Touch in Virtual Environments: An Exploratory Study of Presence, Multimodal Interfaces, and Cross-Modal Sensory Illusions,’ Presence: Teleoperators and Virtual Environments 10:3, 247-265.

Biocca, F. R. & Rolland, J.P. (1998) ‘Virtual Eyes Can Rearrange Your Body: Adaptation to Visual Displacement in See-Through, Head-Mounted Displays,’ Presence: Teleoperators and Virtual Environments 7:3, 267-277.

Blau, H. (1980) ‘Precipitations of Theater: Words, Presence, Time out of Mind,’ New Literary History 12:1, 127-145

Blast Theory (2000) Desert Rain. Available online. http:www.blastheory.easynet.co.uk/work_desertrain_desc_body.html (accessed 8 December 2000).

Blast Theory (2005) Blast Theory | Online. http://www.blasttheory.co.uk/ (accessed 1 March 2005).

Bleeker, M. (2004) ‘The A, B, C’s of Difference: Jan Ritsema and the relationality of Theatrical Process’ in J. de Bloois, S. Houppermans & F-W Korsten (eds) Discernments: Deleuzian Aesthetics/Esthetiques Deleuziennes, Amsterdam & New York: Rodopi, 131-49.

Blossom, R. (1966) ‘On Film Stage,’ Tulane Drama Review 11:1, 68-73.

Bottoms, S. (1998) ‘The Tangled Flora of Goat Island: Rhizome, Repetition, Reality,’ Theatre Journal 50:4, 421-446.

Bresson, R. (1997) Notes on the Cinematographer, trans. J. Griffin, Copenhagen: Green Integer.

Brouwer, J., Mulder, A., Charlton, S. (2003) Information is Alive, Rotterdam: NAI Publishers.

Buscher, M., Huges, J., O'Brien, J., Rodden, T. (eds) (1998) Presence and Representation in Multi-media Art and Electronic Landscapes. E-SCAPE, Deliverable 1.1. Available online. http://www.comp.lancs.ac.uk/computing/research/cseg/DIGITAL-LIBRARY/Escape/Escape-D1.1.pdf (accessed 5 August 2007).


Cage, J. & Charles, D. (1981) For the Birds: John Cage in Conversation with Daniel Charles, London: Marion Boyars.

Capra, M., Radenkovic, M., Benford, S., Oppermann, L, Drozd, A., Flintham, A. (2005) 'The Multimedia Challenges raised By Pervasive Games,' in Proceedings of the 13th annual ACM International Conference on Multimedia, New York: ACM Press, 89-95.

Castellucci, C. & Castellucci, R. (1992) Il teatro della Societas Raffaello Sanzio, Milan: Ubulibri.

Castellucci, R. (1991) ‘The Animal Being On Stage,’ Performance Research 5:2, 23-8.

Castellucci, R. (2000) Gilgamesh, Cesena: Edizioni Casa del Bello Estremo.

Chaikin, J. (1991) The Presence of the Actor, New York: Theater Communications Group.

Chavoya, C. O. (1998) ‘Pseudographic Cinema: ASCO’s No-Movies,’ Performance Research 3:1,1-14.

Churcher, N. (2003) ‘Blast Masters,’ Design Week 19, 29 May.

Clarke, R. (2001) ‘Reigning Territorial Plains - Blast Theory's Desert Rain,' Performance Research 6:2, 43-50.

Coen, E. & Stella, G. (2005) (eds) Gary Hill: Resounding Arches, Archi Resonanti, Milan: Electa.

Colebroook, Claire (2005) ‘How can we tell the Dancer from the Dance?: The Subject of Dance and the Subject of Philosophy,’ Topoi 24, 5-14.

Colomba, S. (ed.) (1982) Carmelo Bene, La voce de Narcisco, Milan: Il Saggiatore.

Conrad, T. (2001) 'Who Will Give Answer to the Call of My Voice? Sound in the work of Tony Oursler' in E. Janus & G. Moore (eds) Tony Oursler, Barcelona: Ediciones Póligrafa, 150-66.

Copeland, R. (1988) 'The Presence of Mediation,’ The Drama Review 34:4, 28-44.

Crabtree, A., Benford, S., Rodden, T., Greenhaigh, C., Flintham, M., Anastasi, R., Drozd, A., Adams, M., Row-Rarr, J., Tandavanitj, N., Steed. A. (2004) ‘Orchestrating a Mixed Reality Game on the Ground’ in Proceedings of the 2004 ACM CHI Conference on Human Factors in Computing Systems, Vienna: ACM Press, 391-8.

Crimp, D. (1993) ‘The Photographic Activity of Postmodernism’ in D. Crimp On the Museum’s Ruins, London: MIT Press, 108-125.

Crownfield, D., (1991) 'The Seminal Trace: Presence, Difference and Transubstantiation,' Journal of the American Academy of Religion 59:2, 361-371.


Debord, G. (1997) ‘Editorial Notes: The Avant-Garde of Presence,’ Guy Debord and the Internationale Situationniste 79, 129-138.

de Certeau, M. (1984) The Practice of Everyday Life, Berkeley, Cal.: University of California Press.

de Mederios, M.B. (2003) ‘Performance Art and Digital Bodies (Corpos Informaticos),' Body, Space, Technology Journal, 3:2. Online journal. http://people.brunel.ac.uk/bst/home3.html.

de Medeiros, M.B. (2005) ‘Performance Art in Telepresence: Inormation and Communication in the World Net of Computers,’ Corpus Informaticas. Available online. http://www.corpos.org/papers/perfotele.html (accessed 1 August 2007).

Deleuze, G. (1993) The Fold, trans. T. Conley, London: Athlone Press.

Deleuze, G. (1997) 'One Less manifesto’ in T. Murray (ed.) Mimesis, Masochism & Mime: The Politics of Theatricality in Contemporary French Thought, Ann Arbor: University of Michigan Press, 239-258.

Demastes, W. W. (1989) 'Spalding Gray's Swimming to Cambodia and the Evolution of an Ironic Presence,' Theatre Journal 41:1, 75-94.

Derrida, J. (1976) Of Grammatology, London: John Hopkins University Press

Derrida, J. (1985) 'Point de Folie - Maintentant l'Architecture' in B. Tschumi, La Case Vide, London: Architectural Association, 4-19.

Dinkla, S. (1997) Pioniere Interaktive Kunst von 1970 bis heute, Karlsruhe: Edition ZKM, Cantz Verlag.

Ditton, M, Lombard, M. (1997) ‘At the Heart of it all The Concept of Presence,’ Journal of Computer-Mediated Communication. Online journal. <http://jcmc.indiana.edu/vol3/issue2/lombard.html>.

Dix, A., Sheridan, J., Lock, S., et al. (2004) AbsenT Presence. Equator Record and Reeuse workshop, UCL, London, 12-13 February 2003. Available online. www.equator.ac.uk/ index.php?module=uploads&func=download&fileId=223 (accessed 5 August 2007).

Drefus, H. (2001) 'Telepistemology: Descartes's Last Stand' in K. Goldberg (ed.) The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Cambridge Mass.: MIT Press, 48-63.

Drobnick, J. (2006) ‘Deborah Hay: A performance primer,’ Performance Research 11:2, 43-57.

Durlach, N. & Slater, M. (2000) ‘Presence in Shared Virtual Environments and Virtual Togetherness,’ Presence: Teleoperators and Virtual Environments 9:2, 214-217.


Eisenman, P. (1986) Moving Arrows, Eros and Other Errors: An Architecture of Absence, London: Architectural Association.

Elam, K. (2002) The Semiotics of Theatre and Drama, 2nd edition, London and New York: Routledge.

Eng, D. L., Kazanjian, D. (eds) (2003) Loss: The Politics of Mourning, London: University of California Press.

Erickson, J. (1985) 'The Language of Presence: Sound Poetry and Artaud,' Boundary 2 14:1-2, 279-290.

Erickson, J. (1998) The Fate of the Object: From Modern Object to Postmodern Sign in Performance, Art and Poetry, Ann Arbor: The University of Michigan Press.

Etchells, T. (1994) 'Diverse assembly: some trends in recent performance' in T. Shank (ed.) Contemporary British Theatre, London: MacMillan Press, 107-22.

Etchells, T. (1999) ‘Good Places: Performance, Photography, Imaginary Space,’ Artintact 5, 53-63.

Etchells, T. (1999a) Certain Fragments, London and New York: Routledge.

Etchells, T. (2004) 'Manifesto on Liveness,’ in A. Heathfield (ed.) Live: Art and Performance, London and New York: Tate Publishing, 210-217.

Etchells, T., Glendenning, H. & Forced Entertainment (2000) Void Spaces, Sheffield: Site Gallery.

Evert, K. (2003) 'Theater im virtuell geteilten Raum' in M. Hård, A. Lösch & D. Verdicchio (eds) Transforming Spaces: The Topological Turn in Technology Studies. Online publication of the international conference held in Darmstadt, Germany, March 22-24, 2002 Editors: Mikael Hård, Andreas Lösch and Dirk Verdicchio. Part II. Ch 8, 1-9. http://www.ifs.tu-darmstadt.de/fileadmin/gradkoll//Publikationen/transformingspaces.html (accessed 1 August 2007).


Featherstone, M. & Burows, R. (eds) (1995) Cyberspace, Cyberbodies, Cyberpunk, London: Sage.

Féral, J. (1982) 'Performance and Theatricality: The Subject Demystified,' Modern Drama, 25, 170-81.

Feuer, J. (1983) 'The Concept of Live Television: Ontology as Ideology' in E. A. Kaplan (ed.) Regarding Television, Los Angeles, Cal.: The American Film Institute, 12-22.

Forced Entertainment. (1998) Paradise. Available online. http/www.lovebytes.org.uk/paradise/intro.html (accessed 15 October 2002).

Forced Entertainment, (1998a) Nightwalks, CD ROM, London: Photo 98.

Frécon, E., Smith, G., Steed, A., Stenius, M., Ståhl, O. (2001)’An Overview of the COVEN Platform,’ Presence: Teleoperators & Virtual Environments 10:1, 109-127

Fried, M. (1968) 'Art and Objecthood' in G. Battcock (ed.) Minimal Art: A Critical Anthology, New York: E. P. Dutton, 116-47.

Friedman, D., Brigni, A., Guger, C., Antley, A., Steed, A., Andrea, Slater, M. (2006) ‘Sharing and Analyzing Data from Presence Experiments,’ Presence: Teleoperators & Virtual Environments 15:5, 599-610.

Friedman, D., Leeb, R. Guger, C., Steed, A., Pfurtscheller, G., Slater, M. (2007) ‘Navigating Virtual Reality by Thought: What Is It Like?’ Presence: Teleoperators & Virtual Environments 16:1, 100-110.

Finter, H. & Griffin, M. (1997), 'Antonin Artaud and the Impossible Theatre: The Legacy of the Theatre of Cruelty,' The Drama Review 41:4, 15-40

Fuchs, E. (1985) ‘Presence and the Revenge of Writing: Rethinking Theatre After Derrida,’ Performing Arts Journal 9: 2-3, 163-173


Garau, M., Slater, M., Pertaub, D-P, & Razzaque, S. (2005) ‘The Responses of People to Virtual Humans in an Immersive Virtual Environment,’ Presence: Teleoperators & Virtual Environments, 14:1, 104-116.

Giacche, P. (1997) Carmelo Bene, antropologia di una macchina culturale, Milan: Bompiani..

Giannachi, G. (2004) Virtual Theatres: an Introduction. London and New York, Routledge.

Giannachi, G. (2007) The Politics of New Media Theatre: Life®™, London and New York,: Routledge.

Giannachi, G. & Kaye N. (2002) Staging the Post-Avant-Garde: Italian Experimental Performance After 1970, Oxford and New York: Peter Lang.

Giannachi, G. & Luckhurst, M. (eds) (1999) On Directing, London and New York: Routledge.

Glesner, J. (2002) ‘Internet Performances as Site-Specific Art,’ Body, Space, Technology Journal, 3:1. Online journal. http://people.brunel.ac.uk/bst/home3.html.

Goat Island (1996) ‘Illusiontext,’ Performance Research 1:3, 6-10.

Goldberg, K. (ed.) (2000) The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Cambridge, Mass.: The MIT Press.

Goulish, M. (2000) 39 Microlectures: In Proximity of Performance, London & New York: Routledge.

Graham, D. (1999) Two-Way Mirror Power: Selected Writings by Dan Graham on His Art, edited by A. Alberro, London: MIT Press.

Graham, D. (2001) 'Fragments of a Conversation: Dan Graham Talks with Tony Oursler,' in E. Janus & G. Moore (eds) Tony Oursler, Barcelona: Edicions Poligrafa, 275-89.

Graver, D. (2003) 'The Actor's Bodies' in P. Auslander (ed.) Performance: Critical Concepts in Literary and Cultural Studies, Vol. II, London: Routledge, 157-174.

Greenhalgh, C. & Benford, S. (1999) ‘Supporting Rich And Dynamic Communication In Large-Scale Collaborative Virtual Environments,’ Presence: Teleoperators & Virtual Environments 8:1, 14-35.

Greenhalgh, C., Benford, S., Craven, m. (2001) ‘Patterns of New work and User Activity in an Inhabited Television Event,’ Presence: Teleoperators & Virtual Environments 10:1, 35-50.

Greenhalgh, C., Bullock, A., Frécon, E., Lloyd, D., & Steed, A. (2001) ‘Making Networked Virtual Environments Work,’ Presence: Teleoperators & Virtual Environments 10:2, 142-159.


Harvie, J. (2004) ‘Being her: presence, absence and performance in the art of Janet Cardiff and Tracey Emin’ in M. B. Gale & V. Gardner (eds) Auto/Biography and Identity: Women, theatre and performance, Manchester: Manchester University Press, 194-216.

Hassan, R & Purser, R.E. (eds) (2007) 24/7: Time and Temporality in the Network Society, Stanford, Cal.: Stanford Business Books.

Hayles, N. K. (1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics, Chicago and London: University of Chicago Press.

Heathfield, A. (2004) 'Alive’ in A. Heathfield (ed.) Live: Art and Performance, London: Tate Publishing, 6-13.

Heldal, I., Steed, A., Spante, M., Schroeder, R., Bengtsson, S., & Partanene, M. (2005) ‘Successes and Failures in Co-Present Situations,’ Presence: Teleoperators and Virtual Environments 14:5, 563-579.

Hershman, L. (ed.) (1996) Clicking In: Hot links to a Digital Culture, Seattle: Bay Press.

Hershman, L. (2003) ‘http://www.lynnhershman.com/ (accessed 5 February 2003).

Hershman-Leeson, L. & Tromble, M. (eds) (2005) The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I, Berkeley: University of California Press.

Hill, G. (2002) Gary Hill: Selected Works and Catalogue Raisonne, Wolfsburg: Kunstmuseum, Wolfsburg.

Hill, G. (1994) Gary Hill, Seattle: Henry Art Gallery.

Hudson, K. (2006) ‘Asking for Trouble: Risk, Ethics and Perversion in Contemporary Performance Art Practice,’ Performance Research 11:1, 9-20.

Humphries, J. (2007) ‘Jacqueline Humphries Interviews Tony Oursler on His Newest Piece: Seven Months of My Aesthetic Education Plus Some…’. Tony Oursler | Online. http://www.tonyoursler.com/tonyourslerv2/main.html (accessed July 7 2007).

Hestevold, S. H. (1990) ‘Passage and the Presence of Experience,’ Philosophy and Phenomenological Research 50:3, 537-552.

Hooper, B. (2001) 'Desiring Presence, Romancing the Real,' Annals of the Association of American Geographers 91:4, 703-715.

Hornblow, M. (2006) ‘Bursting Bodies of Thought: Artaud and Hijikata,’ Performance Paradigm 2, 26-44. Online journal. http://www.performanceparadigm.net/

Howell, A. & Templeton, F. (1977) Elements of Performance Art, London: The Ting Theatre of Mistakes.

Howell, A. (1998) The Analysis of Performance Art: A Guide to its Theory and Practice, Amsterdam: Harwood Academic Publishers.


Jackson, S. (2004) Professing Performance: Theatre in the Academy from Philology to Performativity, Cambridge: Cambridge University Press.

Janus, E. (1999) (ed.) 'Talking Back: A Conversation with Tony Oursler' in D. Rothschild (ed.) Tony Oursler - Introjection: Mid-Career Survey 1976-1999, Williamstown, Massachusetts: Williams College Museum of Art, 70-92.

Janus, E. (2002) (ed.) Tony Oursler, Milan: Electa.

Janus, E. and Moure, G. (2001) (eds) Tony Oursler, Barcelona: Ediciones Póligrafa.

Jones, A. (1997) ‘Presence’ in Absentia: Experiencing Performance as Documentation,’ Art Journal. 56:4, 11-18


Kac, E. (2002) ‘Eduardo Kac’ http://www.ekac.org (accessed 2 December 2002).

Kaye, N. (1994) Postmodernism and Performance, London: Macmillan.

Kaye, N. (1996) Art into Theatre: Performance Interviews and Documents, Amsterdam: Harwood Academic Press/Routledge.

Kaye, N. (2000) Site-Specific Art: Performance, Place and Documentation, London and New York: Routledge.

Kaye, N. (2006) 'Displaced Events: Photographic Memory and Performance Art' in A. Kuhn & K. McAllister (eds) Locating Memory, Oxford and New York: Berghahn Press, 173-97.

Kaye, N. (2007) Multi-Media: Video - Installation - Performance, London and New York: Routledge.

Kaye, N. (2007a) ‘Screening Presence: The Builders Association and dbox, SUPER VISION (2005),’ Contemporary Theatre Review, 17:4.

Kelley, M. (1999) 'an endless script: conversation with Tony Oursler' in D. Rothschild (ed.) Tony Oursler - Introjection: Mid-Career Survey 1976-1999, Williamstown, Massachusetts: Williams College Museum of Art, 38-54.

Kilch, R. (2007) ‘Performing Posthuman Perspective: Can You See Me Now?’ SCAN: Journal of Media Arts Culture, 4:1. Online journal. http://scan.net.au/scan/journal/display.php?journal_id=91.

Kim, J., Hyun. K., Boon K. T., Manivannan M., Mandayam, A. S., Joel, J., Jesper, M., Manuel, O., Slater, M. (2004) ‘Transatlantic Touch: A Study of Haptic Collaboration over Long Distance,’ Presence: Teleoperators & Virtual Environments 12:3, 328-337.

King, E. (2005) ‘Tony Oursler's Uncanny Drama,’ Sculpture 24:1, 50-55.

Kirshner, J. (1980) Vito Acconci: A Retrospective 1969-1980, Chicago: Museum of Contemporary Art.

Kostic A. & Dobrila, P. T. (eds) (2000) Eduardo Kac: Telepresence, Biotelematics, Transgenetic Art, Ljubljana: Publication of the Association for Culture and Education.

Kozel, S. (1994) ‘Virtual Reality: Choreographing Cyberspace,’ Dance Theatre Journal 11:2, 34-7.

Kozel, S. (1994a) ‘Spacemaker: Experiences of a Virtual Body,’ Dance Theatre Journal, 11:3, 12-13 & 46-47.

Kunz, M. (1978) Interview with Vito Acconci about the Development of His Work, Luzern: Kunstmuseum Luzern.


Leeb, R. C. K., Friedman, D., Guger, C., Scherer, R., Neuper, C., Garau, M., Antley, A., Steed, A., Slater, M., Pfurtscheller, G. (2006) 'Walking by Thinking: The Brainwaves Are Crucial, Not the Muscles!’ Presence: Teleoperators & Virtual Environments 15:5, 500-514.

Leeker, M. (ed.) (2001) Maschinen, Medien, Performances; Theater and de Schnittstelle su digitalen Welten, Berlin: Alexander Verlag.

Legrady, G. (2002) 'Intersecting the Virtual and the Real: Space in Interactive Media Installations' in M. Rieser & A. Zapp (eds) New Screen Media Cinema/Art/Narrative, London: British Film Institute, 221-6.

Lehmann, H-T. (1999) 'Die Gegenwart des Theaters' in E. Fischer-Lichte, D. Kolesch, C. Weiler (eds) Transformationen; Theater der Neunziger Jahre, Berlin, Theater de Zeit.

Lepecki, A. (1999) 'Skin, Body and Presence in Contemporary European Choreography,' The Drama Review 43:4, 129-140.

Lepecki, A. (2004) Of the Presence of the Body: Essays on Dance and Performance Theory, Middletown, Conn.: Wesleyan University Press.

Lindemann, K. (2006) ‘Live(s) Online: Narrative Performance, Presence, and Community in LiveJournal.com,’ Text and Performance Quarterly 25:4: 354-72.

Lindley, C. A. (2005) ‘Game Space Design Foundations for Trans-Reality Games,' in Advances in Computer Entertainment, ACM International Conference Proceedings, Polytechnic University of Valencia (UPV), Spain, 1-7. Available online. http://portal.acm.org/citation.cfm?id=1178569 (accessed 3 August 2007).

Lipman, M. (1957) 'The Aesthetic Presence of the Body,' The Journal of Aesthetics and Art Criticism 15:4, 425-434.

Lombard, M. & Bracken, C.C. (2003) ‘Fourth International Workshop on Presence, May 2001: Guest Editors' Introduction,’ Presence: Teleoperators & Virtual Environments 12:4, 333-334.

London, B. (1995) 'System for Dramatic Feedback, 1994' in F. Malsch (ed.) Tony Oursler: Dummies, Clouds, Organs, Flowers, Watercolours, Videotapes, Alters, Performances and Dolls, Frankfurt am Main: Portikus, 8.


Magerkurth, C., Cheok, A.D., Mandryk, R., Nilsen, T. (2005) ‘Pervasive games: Bringing Computer Entertainment Back into the Real world,’ ACM Computers in Entertainment 3:3, 1-19.

Malsch, F. (1995) (ed.) Tony Oursler: Dummies, Clouds, Organs, Flowers, Watercolours, Videotapes, Alters, Performances and Dolls, Frankfurt am Main: Portikus.

Manovich, L. (2001) The Language Of New Media, Cambridge, Mass.: The MIT Press.

McAuley, G. (2003) Space in Performance: Making Meaning in the Theatre, Ann Abor: University of Michigan Press.

McGonigal, J. (2003) ‘A Real Little Game: The Performance of belief in Pervasive Play,’ Digital Games Research Associaton (DiGRA) "Level Up" Conference Proceedings. Available online. http://avantgame.com/MCGONIGAL%20A%20Real%20Little%20Game%20DiGRA%202003.pdf (accessed 4 August 2007).

McKenzie, J. (2001) Perform or Else: From Discipline to Performance, London & New York: Routledge.

McNeil, L. D., (1983) 'Rimbaud: The Dialectical Play of Presence and Absence,' Boundary 2 12:1, 187-211

Meyer-Stoll, C. (2007) ‘A written conversation between Tony Oursler and Christiane Meyer-Stoll’ Tony Oursler Online. http://www.tonyoursler.com/tonyourslerv2/main.html (accessed 15 July 2007).

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