University of Exeter Drama Department
THE CHANGING BODY:
The bodymind in contemporary training and performance

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An interdisciplinary focus on the proposition that the unique mobile of performance – across the gamut from ritual to physical theatre/dance, from role playing to live art – is the body in action, the body in a process of change, of performers and “audience” alike. It might be said that a body is the site of multiple inscriptions – environmental, political, imaginary, familial, scientific, social, among others. A body is also the site of multiple presences – the breath, sensation, perceptions, emotions, thoughts, among others. Performance occurs at the interstice of a body and a world, and the action that is occurring there is a body engaging and negotiating a process of change with a world – through narrative, image, sound text, place, among others.

This symposium is the culmination of a year long series of research seminars involving among others:
Chris Crickmay and Miranda Tufnell (Body Space Image. 1990)
Bella Merlin (Beyond Stanislavski, 2001)
Alison Hodge (Twentieth century actor training. 2000)
Phillip Zarrilli (Acting (Re) Considered. 2002)
Jarolsaw Fret (Director of the Grotowski Centre, Poland)
Fran Barbe (Co-founder of Theatre Training initiative)

The symposium will include:

Key note contributions from
Drew Leder (The Body in medical thought and practice, 1992)
Shigenori Nagatomo (Attunement through the body,1992)

Respondants from the fields of cognitive neuroscience, sports science, sociology, psychology.

Also three day pre-symposium workshops from leading practitioners in diverse approaches to body in performance.
David Zinder (Body voice imagination 2002), Phillip Zarrilli and others.