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| Saturday November 21, 2009 | Research / Centre for Intermedia |
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Performing Presence: from the live to the simulated
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| Thursday 26 March 2009 | ||
| 11.00-2.00 | Registration: RS2, Roborough Studios, Streatham Campus. | |
| 1.00-2.00 | Lunch: RS3, Roborough Studios, Streatham Campus. | |
| 2.00-3.15 | Welcome: Nick Kaye (Centre for Intermedia, University of Exeter) | |
| Opening keynote: Adrian Heathfield (Roehampton University) and Hugo Glendinning, with recorded material by Tim Etchells (Forced Entertainment) | Intangibles Abstract Respondent: Mike Pearson |
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| 3.15-4.00 | Tea and Coffee: Alexander Building, Thornlea | |
| 4.00-5.30 | Panel 1a (TS1, Alexander Building). Chair: Maciej Ozog | |
| Emma Westecott (NSAMD/IFSW, University of Wales, Newport) | Present to play Abstract | |
| Ragnhild Tronstad (Institutt for medier og kommunikasjon, Universitetet i Oslo) | How to do things with words: presence production in the SMS-performance surrender control Abstract | |
| Maciej Ozog (University of Lodz, Poland) | Presence, participation, identity of ‘spectator-turned-into-user’ as a theme of art of interactive installation Abstract | |
| Panel 1b (TS2, Alexander Building). Chair: Ed Scheer | ||
| Corinne Jola (Department of Psychology, University of Glasgow) | Responding to presence? The spectator’s performance Abstract | |
| Beau Coleman (University of Alberta) | I’m Ready for My Close-up: fifteen and the Performance of Fame Abstract | |
| Ed Scheer (University of Warwick) | On Now: performing the specious present Abstract | |
| Panel 1c (TS3, Alexander Building). Chair: Robin Deacon | ||
| Jungmin Song (Roehampton University, London) | Spill of performances: presence of everyday objects in performance Abstract | |
| Robin Deacon (South Bank University, London) | Approximating the art of Stuart Sherman Abstract | |
| Danae Theodoridou (Roehampton University, London) | From simulated to the live Abstract | |
| Panel 1d (SR1, Alexander Building). Chair: Rosie Klich | ||
| Rosie Klich (University of Kent) | What’s behind the smile? The mediated other in performance Abstract | |
| Amanda Price (University of Bedfordshire) | Last night I dreamt my house was leaking Abstract | |
| Alissa Mello (Royal Holloway, University of London) | Manufacturing presence Abstract | |
| 5.30-6.30 | Wine reception: Alexander Building, Thornlea | |
| Friday 27 March 2009 | ||
| 9.00-9.30 | Tea and coffee: Roborough Building, Streatham Campus | |
| 9.30-10.30 | Keynote: Paul Sermon (University of Salford) | Puppeteers, Performers or Avatars: A perceptual difference in telematic space Abstract Respondent: Sita Popat (University of Leeds) |
| 10.30-11.30 | Tea and Coffee: Alexander Building, Thornlea | |
| 11.30-1.00 | Panel 2a (TS1, Alexander Building). Chair: David Swapp | |
| Katja Kwastek (Ludwig Boltzmann Institute Media.Art.Research, Linz) | Between potential and property: presence and liveness in interactive artworks Abstract | |
| David Swapp (Department of Computer Science, University College London) | Mediating interactive performance in virtual space Abstract | |
| Marco Gillies (Department of Computer Science, Goldsmiths College, London) | Performance and interactive virtual characters Abstract | |
| Panel 2b (TS2, Alexander Building). Chair: Cathy Turner | ||
| Eirini Nedelkopoulou (University of Reading) | The ab-sent mediated body Abstract | |
| Marianne Sharp (Drama, University of Winchester) Cathy Turner (Drama, University of Winchester) |
Ghosting myself: character, memory and presence in Nora and I Abstract | |
| Philip Schwyzer (Department of English, University of Exeter) | Spectres of performance, spectres of place: Richard III at Rougemont Castle Abstract | |
| Panel 2c (TS3, Alexander Building). Chair: Simon Jones | ||
| Simon Jones (Department of Drama, Theatre, Film and Television, University of Bristol) | Out-standing standing-within: being alone together in the work of bodies in flight Abstract | |
| Natasha Lushetich (Centre for Intermedia, University of Exeter) | What is vintage stage presence? Abstract | |
| Josette Féral (Université du Québec à Montréal) | The interpretation of virtual and real: presence effects and real effects Abstract | |
| Panel 2d (SR1, Alexander Building). Chair: Fred McVittie | ||
| Fred McVittie (University College Falmouth, Dartington Campus) | Performing dualism: the body as a vehicle of telepresence Abstract | |
| Edwige Perrot (Université du Québec à Montréal and University Paris III Sorbonne-Nouvelle) | Presence and presence effects in be-twin: immediacy and hypermediacy of live video on stage Abstract | |
| Dorinda Hulton (Department of Drama, University of Exeter) | Joseph Chaikin: The Presence of the Actor Abstract | |
| Panel 2e (TS4, Alexander Building). Chair: Jerri Daboo | ||
| Dr Ayshé Jenkinson | Presence through Interculturality and Metaesthetics Abstract | |
| Jerri Daboo (Department of Drama, University of Exeter) | The crisis of presence: being and not-being in ritual and performance Abstract | |
| Broderick DV Chow (Central School of Speech and Drama) | Trac(eur)-ing the city: presence and performativity in Le Parkour Abstract | |
| 1.00-2.30 | Lunch: Alexander Building, Thornlea | |
| 2.30-4.00 | Panel 3a (TS1, Alexander Building). Chair: Steve Dixon | |
| Jennifer Parker-Starbuck (Roehampton University) | Becoming cyborg: locating the corporeal/technological subjects multimedia performance Abstract | |
| Steve Dixon (Brunel University) | Life, death, the spectre and the uncanny in the presence of the mediatized double in digital performance Abstract | |
| Kara Reilly (University of Birmingham) | Technology Performing Epistemology: Decartes’s experience of automata Abstract | |
| Panel 3b (TS2, Alexander Building). Chair: Lena Isayev | ||
| Jaquelyn Ford Morie (Institute for Creative Technologies, University of Southern California) | The rhetorics of presence: digital performance in social networks and virtual worlds Abstract | |
| Lena Isayev (Department of Classics and Ancient History, University of Exeter) | Ancient presence: memory of places never visited and people never met Abstract | |
| Panel 3c (TS3, Alexander Building). Chair: Maria Chatzichristodoulou | ||
| Maria Chatzichristodoulou (School of Arts and New Media, University of Hull at Scarborough) | Presence in the Networks: Pattern, Randomness, Relationality: From presence and absence to pattern and randomness: Can You See Me Now? Abstract | |
| Miguel Andres-Clavera (Goldsmiths Digital Studios) | Presence in the Networks: Pattern, Randomness, Relationality: Embodied networked narratives: affecting memory and presence Film: scanMemories |
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| Claudia Georgi (Department of English Literature and Cultural Studies, University of Göttingen) | Liveness and mediatization in Mary Oliver’s performances Abstract | |
| Panel 3d (SR1, Alexander Building). Chair: Cecilia Sayad | ||
| Cecilia Sayad (Department of Film Studies, University of Kent) | A cinema of presence: the author and the body in the documentaries of Eduardo Coutinho Abstract | |
| Joseph DeLappe (University of Nevada, Reno) | Protest, memory, reenactment: online performative interventions (Second Life/Skype) Abstract | |
| Panel 3e (TS4, Alexander Building). Chair: Wolf-Dieter Ernst | ||
| Camille Baker | MindTouch: embodied ephemeral transference – biosensor-mobile media performance practices (performance/installation) Abstract | |
| Dr Wolf-Dieter Ernst (Ludwig-Maximillians University, Munich) | Rimini Protokol’s Call Cutta and the performance of presence Abstract | |
| 4.00-5.00 | Tea and coffee: Roborough Studios, Streatham Campus | |
| 5.00-6.00 | Keynote: Ken Goldberg (Berkeley Centre for New Media, UC Berkeley) | Distance and Telepistemology in the Essence of Technology (Skype/teleconference) Abstract Respondent: Kara Reilly (University of Birmingham) |
| 6.00-7.00 | Wine and canapés: Roborough Studios | |
| 7.00-8.15 | Keynote performance: Mike Pearson and Mike Brookes (Pearson/Brookes) | Pearson/Brookes: ‘something happening / something happening nearby’ Abstract |
| Saturday 28 March 2009 | ||
| 9.00-9.30 | Tea and coffee: Roborough Studios, Streatham Campus | |
| 9.30-10.30 | Keynote: Moe Angelos (The Builders Association) | Pimp My Presence: Better Charisma Through Technology Abstract Respondent: Ed Scheer (University of Warwick) |
| 10.30-11.30 | Tea and Coffee: Alexander Building, Thornlea | |
| 11.30-1.00 | Panel 4a (TS1, Alexander Building). Chair: Sarah O'Brien | |
| Sarah O’Brien (School of Arts and Media, University of Teesside) | A MUVE toward democracy? Second Front and the co-presence of avatar-audience and avatar-artist Abstract | |
| Joff Chafer (Coventry University) | Second presence Abstract | |
| Michael Hohl (CCI | Art and Design, University of Hertfordshire) | Some thoughts on presence, immersion and calm technologies Abstract | |
| Panel 4b (TS2, Alexander Building). Chair: Heiki Roms | ||
| Experience Bryon (Central School of Speech and Drama) | Remote creation and its implications for the work of Experience Vocal Dance Company Abstract | |
| Heike Roms (Aberystwyth University) | Constructions of presence through documentation in early performance art: Ian Breakwell’s Unword Abstract | |
| Paul Clarke (Department of Drama, Theatre, Film and Television, University of Bristol) | The presence of past performances and the passing of documents Abstract | |
| Panel 4c (TS4, Alexander Building). Chair: Laura Cull | ||
| Laura Cull (Centre for Intermedia, University of Exeter) | Four perspectives on the process of presence: difference, attention, deixis and the document Deleuze and differential presence in performance Abstract | |
| Cormac Power (Northumbria University) | Four perspectives on the process of presence: difference, attention, deixis and the document The extenuation of presence: Derrida and deixis Abstract | |
| Jon Sherman (Northwestern University) | Four perspectives on the process of presence: difference, attention, deixis and the document Spaces of presence: documentation and performance Abstract | |
| Jon Erickson (Ohio State University) | Four perspectives on the process of presence: difference, attention, deixis and the document The event: presence and the promise of meaningful experience Abstract | |
| Panel 4d (TS3, Alexander Building). Chair: Sita Popat | ||
| Helen Bailey (Centre for Applied Research in Dance, University of Bedfordshire) Sita Popat (School of Performing Arts & Cultural Industries, University of Leeds) |
Lecture-demonstration - The e-Dance Project: performing telepresence. Abstract | |
| Ramsay Burt (De Montfort University) | Temporality, Presence and the Untrained Dancer Abstract | |
| Ildiko Rippe and Rosie Garton (Zoo Indigo) | This is now, this is live: Immediacy, unpredictability and authenticity in virtual presence Abstract | |
| Panel 4e (SR1, Alexander Building). Chair: Alex Davies | ||
| Avia Moore (Dartington College of the Arts) | Presence unleashed: heightened self-presence in Pochinko Clowning Abstract | |
| Alex Davies (College of Fine Arts, University of New South Wales) | Double Blind: Augmented Realities in The Black Box Sessions Abstract | |
| Matt Hawthorn (School of Art and Design, Nottingham Trent University) | Shanty – constructing home in a mythological environment Abstract | |
| 1.00-2.30 | Lunch: Alexander Building, Thornlea | |
| 2.30-4.00 | Panel 5a (TS1, Alexander Building). Chair: Stephen Hodge | |
| Stephen Hodge a.k.a. Drifter Rhode (Department of Drama, University of Exeter/2ND LIVE) | 2ND LIVE: virtual ASBOs, viral duets, reflexive architecture & the death of the avatar Abstract | |
| Meredith Tromble (School of Interdisciplinary Studies, San Francisco Art Institute) | Victory Gardens 2008: invoking history Abstract | |
| Lanfranco Aceti (Sabanci University and University College London) | Presence as re-lived and re-contextualised memories: conflict and reconciliation from live to simulated Abstract | |
| Panel 5b (TS2, Alexander Building). Chair: Rita Roberto | ||
| Andrea Bozic | Telling future Abstract | |
| Sylvia Rimat | Being here while not being here – a contemplation in 15 minutes Abstract | |
| Rita Roberto (University of the Arts, Berlin) | Right at presence – à même Abstract | |
| Panel 5c (TS3, Alexander Building). Chair: Jackie Smart | ||
| Fred Dalmasso (University of Loughborough) | Presence: a laicised grace? Abstract | |
| Jackie Smart (School of Performance and Screen Studies, Kingston University) | Critical feeling: the audience/performer relationship in work in progress presentations in devised theatre Abstract | |
| Vicky Angelaki (Royal Holloway, University of London) | Asserting presence through memory: the potency of monologue in contemporary theatre Abstract | |
| Panel 5d (SR1, Alexander Building). Chair: Mark Caffrey | ||
| Mark Caffrey (Queen’s University, Belfast) | One more detail: collective spatialising at St George’s Market, Belfast Abstract | |
| José Alberto Ferreira (CHAIA, University of Evora) | Through the looking glass: documenting, storing and archiving Abstract | |
| Cara Davies (Dartington College of Arts) | Archival lacunae: the ‘what-is-missing’ in institutional archives Abstract | |
| Panel 5e (TS4, Alexander Building). Chair: Elena Cologni | ||
| Elena Cologni (York Saint John University) | Performance workshop: That spot in the ‘moving picture’ is you Abstract | |
| 4.00-5.00 | Tea and coffee: Roborough Studios, Streatham Campus | |
| 5.00-6.00 | Keynote: Matt Adams (Blast Theory) | You Get Me Abstract Respondent: Steve Dixon (Brunel University) |
| 6.00-6.30 | Wine and drinks: Roborough Studios | |
| 6.30-7.30 | Keynote event: Lynn Hershman (San Francisco Art Institute, A.D. White Professor, Cornell University, Emeritus Professor, UC Davis) | [Second Life event – title tbc] Abstract |
| Sunday 29 March 2009 | ||
| 9.30-10.00 | Tea and coffee: Alexander Building, Thornlea | |
| 10.00-11.00 | Panel 6a (TS1, Alexander Building). Chair: Sita Popat | |
| Sita Popat (University of Leeds) Scott Palmer (University of Leeds) |
Lecture demonstration: Projecting presence in mixed reality performance Abstract | |
| Panel 6b (TS3, Alexander Building). Chair: Sarah Goldingay | ||
| Helen Varley Jamieson Paula Crutchlow (University College Falmouth – Dartington Campus) |
Are you there? a performative conversation around the concept of presence in cyberformance Abstract | |
| Sarah Goldingay (Department of Drama, University of Exeter) | Late-modern omnipresence: religion reconstructed and consumed Abstract | |
| Panel 6c (TS4, Alexander Building). Chair: Steve Greer | ||
| Steve Greer (University of Aberystwyth) | Going live: time and community in alternative reality games Abstract | |
| Julius-Adeoye (Department of Theatre Arts, Redeemer’s University, Nigeria) | I Feel You: presence in applied drama Abstract | |
| Panel 6d (SR1, Alexander Building). Chair: John Somers | ||
| Amanda Stuart Fisher (Central School of Speech and Drama) | The Authority of the Actual? The voice of the testifying subject and the responsibility of the listener Abstract | |
| John Somers (University of Exeter) | Theatre as validation of cultural memory and social capital: creating significant presence Abstract | |
| Panel 6e (TS2, Alexander Building). Chair: Pam Woods | ||
| Pam Woods (Department of Drama, University of Exeter) | Performance - The Runner: an adaptation of a Deborah Hay solo choreography. Abstract | |
| Johanna Householder (Faculty of Art, Ontario College of Art and Design) | Performance/lecture – The Subject of Art: Alan Badiou/Paul Miller Abstract | |
| 11.00-12.00 | Tea and Coffee: Roborough Studios | |
| 12.00-1.00 | Closing keynote: Michael Shanks (Stanford University/Presence Project) | |
| 1.00 | Close | |
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