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Books (see practical research for artists' books)
- Dramaturgy and Performance, with Synne Behrndt (Palgrave Macmillan 2008).
Edited journal issues:
- Contemporary Theatre Review,Vol. 20, No. 2. (2010), 'new dramaturgies', with Synne Behrndt
- Studies in Theatre and Production, Vol. 30, No. 1 (2010).
Articles and book chapters:
- 'Spatial Planning and Mis-Guidance: Dramaturgies of Public Space', (2010), Contemporary Theatre Review, Vol. 20, No. 2, pp.150-162.
- 'Writing for the contemporary theatre: towards a radically inclusive dramaturgy' Studies in Theatre and Performance, Vol 30, No 1, pp. 75-90.
- 'Something to Glance Off: Writing Space' (2009), Journal for Writing in Creative Practice, volume 2, no. 2, pp.217-230.
- 'Getting the "now" into the written text (and vice versa?): developing dramaturgies of process'(2009), Performance Research, Vol. 14, no. 1, pp.106-114.
- 'Writing Dialogues: Hare in collaboration' (2007), in The Cambridge Companion to David Hare, edited by Richard Boon, Cambridge University Press, pp. 109-122.
- 'Brecht's Galileo: Between Contemplation and the Command to Participate' (2006) in The Cambridge Companion to Bertolt Brecht, ed. Peter Thomson and Glendyr Sacks, second edition, pp.143-159.
- 'Manifesto for an Everyday Walking Culture: Dealing with the City' (2006), with Wrights & Sites, Performance Research 11.2, pp.115-122. (re-printed in Nicholas Whybrow (Ed.), Performance and the Contemporary City, Palgrave, 2010, pp.69-86).
- 'Surviving Text: Investigating Writing for Experimental Theatre of the 1970s and 1980s (The Freehold, Impact, Lumiere and Son)', (2004), Performance Research, 'On Generation', Vol. 9, No. 3, pp. 9-22.
- 'Intervention 5: Say: "Parsley"' by Caroline Bergvall and Ciaran Maher' (2002), Performance Research: 'On Text'. Vol. 7, No. 2, pp.129-31.
- 'Cutting It Up: Fragments and Ruins in Julia Barclay's New York Theatre', (2002), Performance Research: 'On Editing', Vol. 7, No. 1, pp. 57-63.
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